Node | Node Live | DiN55
Synth supergroup Node don’t do things by halves so when they decided to perform an all to rare concert in London in 2015 they chose non other than the auspicious venue of the Royal College of Music. It’s almost certain that those hallowed halls have not seen such an assemblage of vintage and modular gear before, although indeed that could be said of anywhere else one can care to imagine.
The four members of Node, maverick producer and sonic legend Flood, renowned producer and composer Ed Buller, classically trained Doctor of music Dave Bessell and Hollywood film composer Mel Wesson not only have between them a vast arsenal of synth gear to draw upon but they also know how to use it in a live performance. Indeed this is no mean task as without the safety net of a backing track all those myriad knobs, dials and switches have to be manually tuned and set up, a task that took the intrepid quartet plus their road crew several hours to complete.
Why bother one may ask in this world of computers and plug ins? Well simply because they can! This is a performance, a unique event never to be repeated. It’s a show where the physical presence of all that ancient, creaking analogue equipment is as much part of the performance as the music itself. And of course there’s the sound these instruments make, a huge pulsating wall of analogue warmth that can rise from a delicate whisper to a mind numbing crescendo of noise at the whim of the performers.
“Node Live” includes edits of four tracks from the concert as well as a bonus piece recorded at the groups rehearsal for the event. Released as a limited edition run of 2,000 copies in a beautiful fold out digipak featuring a stunning widescreen live group photo spread across the front and a photographic booklet enclosed this is a must for lovers of Berlin School inspired sequencer music.
Various Artists | Tone Science Module No.1 Structure and Forces | DiN:TS01
Introducing a new sub-label, Tone Science, from the DiN label.
DiN was initially set up in 1999 by well known UK synthesist Ian Boddy to bridge the gap between the analogue music of his heritage and the emerging digital possibilities of the future. This label has always forged it’s own independent path and to date has released 54 physical CD albums as well as 19 download only releases.
Even after being involved in music since the late 1970’s Boddy has continued to explore new sonic territories and in 2016 he released what was probably his most experimental album in “Tone Science” (DiN48). This album comprised five long, slowly evolving self playing compositions realised entirely on his vast arsenal of modular synthesisers. Boddy’s love of the analogue sound has been well documented not only through his own releases but many sound and sample libraries. These instruments all but disappeared in the 1990’s but recent years has seen an unprecedented growth in interest in this form of synthesiser with a proliferation of both module manufacturers and performers using these highly flexible and personal systems.
Thus, inspired by his “Tone Science” release, Boddy has set up this sub-label to feature artists and performers working in the field of modular synthesis. The first release “Module No.1 Structure and Forces” is a compilation album featuring nine artists from different musical backgrounds with the common thread being that all the tracks were composed entirely with a modular synth system.
The album opens and closes with the ambient soundscapes of two tracks by DivKid and Matthew Shaw who run the well respected Modular Podcast. Boddy himself follows the opening track with an extension to his original “Tone Science” album with another aleatoric self playing composition in “Tone 6”. Paul Lawler and Nigel Mullaney are both heavily involved in library music and soundtrack composition and their two multi-layered compositions showcase the cinematic possibilities of the modular synth world. The remaining four tracks are more rhythmic in nature with the beautiful ambient washes of “If Wishes Came True” by Scanner leading into the hypnotic ostinato patterns of “Ghatam” by Richard Scott. French Buchla wizard Lyonel Bauchet ramps up the intensity with an elegantly constructed pulsing track before Chris Carter (Throbbing Gristle) ends the rhythmic proceedings with the grimy, dubby bass powered “Frieze Relief”.
Boddy has curated both the artists and tracks on this album to flow in a musical way and not just be a collection of equipment heavy demos. Though fascinating and always cool to look at, it is important not to get lost in the gear for gears sake syndrome. Having said that this album features Eurorack, Serge, Buchla & Hordijk modular systems and the nine tracks show how varied and flexible these instruments can be.
“Tone Science Module No.1 Structure and Forces” is just the first of what Boddy intends to be a series of releases on this new sub-label featuring artists and musicians working in this ever fascinating and varied musical field.
Ian Boddy Patreon Page
I’ve started a Patreon Page to engage more closely with followers of my music. If you’re not familiar with Patreon it’s sort of like a subscriber account but on a more personal level. I’ve got a huge archive of rare & unreleased music as well as studio & modular experiments that I want to share with you via this page. There are 3 levels of subscription:
Channel 1 @ $1 per month. This basic level gets you access to my Patreon page so you can see what’s going on.
Channel 2 @ $5 per month. Each month I will post a minimum of 30 minutes of rare, archive or unreleased music for you to enjoy.
Channel 3 @ $10 per month. Access to all the music posted for Channel 2 subscribers plus a minimum of a further 30 minutes of studio & modular synth experiments & bonus material.
November was the first month & kicked off with the first set of my inaugural performance at the Gatherings in Philadelphia back in 2000. Although some of this concert was released as the album Shrouded it has never been released in it’s entirety. I’ve remastered the audio & the second set plus encore is going to be made available in December. There was also a further 4 tracks online for Channel 3 subscribers.
Please have a look & consider subscribing to what I hope will be a new & unique way to engage with my music.